Beautiful 3-D Mapped Projections

San Francisco-based Obscura Digital made to mark the United Arab Emirates’s 40th anniversary as an independent nation.

Impressive result! Check it out!

 

Projected onto the façade of the Sheikh Zahed Grand Mosque in Abu Dhabi, the show was designed to suit the occasion, integrating historical themes and cultural motifs with the architectural elements of the mosque. Aladdin’s genie couldn’t have done it better, but in the case of Obscura, it required 44 projectors, totaling 840,000 lumens of brightness, to cover the 600×351 foot surface area of the mosque.

 

Thanks to @issue & Delphine Hirasuna

Thoughts on the designer/client relationship

 

Thoughts on the designer/client relationship, courtesy of the Design Council. Interesting watch, via Glug.

“If I go to see the doctor, I accept that the doctor has trained, has skill, has experience, is concentrating on one aspect of me. I’ve asked them to do that. What I don’t do is what bad graphic design clients do. I don’t lean over the doctor’s shoulder and say, ‘Could we make that pill a bit larger?’”
— QUENTIN NEWARK, ATELIER WORKS

“A good client has the responsibility to choose the designer that they’re going to work on the project with carefully, and when they get that job right it makes your job a lot easier.”
— LUKE PEARSON, PEARSONLLOYD

“I’m not sure there is such a thing as a perfect client because people are messy, just like I don’t think there’s such a thing as a perfect agency or a perfect consultancy or a perfect advisor.”
— RITA CLIFTON, INTERBRAND

“You make your client a good client or a bad client. After you’ve worked with clients over the years you know how to handle them, from a selfish point-of-view to get the best out of them, but also, to give them the best.”
— EDWARD BARBER, BARBEROSGERBY

“Most clients come to us with no real idea of what identity they’re trying to achieve. They’ll often come to us thinking that what they need is a new logo, that going forwards all their problems will be solved by this new logo, and our response to them would normally be, ‘Who do you think you are? How does your audience see you? How would you like your audience to be seeing you?’”
— NEVILLE BRODY

There’s a full transcript here.

The Design Council also has a resources for designers page you might find useful.

Thanks to David Airey for the heads up.

Dan Cassaro, New York Times Magazine Education Issue

Dan Cassaro was com­mis­sioned to cre­ate a a series of stick­ers to accom­pany each arti­cle for The New York Times Magazine’s Education Issue. He has done an amazing work and created so much awareness and depth to the subject both graphically and communicatively. Take a look at the whole shebang here!

dan cassarodan cassarodan cassarodan cassarodan cassarodan cassarodan cassaro the new york times

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Artful Direction by the magical Drea D$ Zlanabitnig
Pretty pink cover illustration by major dude, Will Bryant

Thanks to Design Work Life

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